Navarro also launched his own record label, Noise Riot Records, and released On the Eve of Destruction: 1991-1995, a compilation of the bandвЂ™s early EPs, singles, and demos.Дў006: Breakup and post-Suicide Machines activity In 2005 the band released the album War Profiteering is Killing Us All, which continued their political themes by openly attacking the Bush White House, the continuation of the Iraq War, and conservative Republicanism. They toured internationally in support of the album and again performed on the Warped Tour. BushвЂ™s administration, its response to the Septemterrorist attacks, and the wars in Afghanistan and Iraq. They also began to explore sociopolitical themes in songs such as вЂњDid You Ever Get a Feeling of Dread?вЂќ and вЂњYour Silence,вЂќ which were critical of President George W. Their next album A Match and Some Gasoline, released in 2003, found the band abandoning the pop experimentations of their previous two albums and returning more to the ska punk and hardcore styles of their earlier years. They then moved to the independent label Side One Dummy Records. The band also ended their contract with Hollywood Records, fulfilling their contractual obligations by releasing the compilation album The Least Worst of the Suicide Machines. In 2001 they released Steal This Record, which continued their exploration of pop punk style while mixing in elements of their earlier ska punk and hardcore albums.ДЇollowing touring in support of Steal This Record bassist Nunley left The Suicide Machines to start his own band, Blueprint 76, and was replaced by Rich Tschirhart. They received some radio and video play for the single вЂњSometimes I DonвЂ™t MindвЂќ and performed on the Warped Tour that Summer. In 2000 this lineup released The Suicide Machines, a more pop rock oriented effort that moved away from the ska influences of their earlier releases. He was replaced by Erin Pitman for some touring before new permanent drummer Ryan Vandeberghe joined. He went on to play with numerous groups including Thoughts of Ionesco, The Vandals, face to face, and Telegraph before finding a permanent position in the Alkaline Trio. They released a follow-up in 1998 entitled Battle Hymns, which continued their ska punk style while incorporating more aggressive elements of hardcore punk, with nearly all of its songs lasting under two minutes in length.ДЇollowing the release of Battle Hymns Grant left the band. The single вЂњNo FaceвЂќ became a minor hit on modern rock radio stations and the album was supported through extensive touring across the United States. Its blend of punk rock and ska brought the national attention in the midst of the mid-1990s punk rock mainstream revival. 1996 saw the release of their first album, Destruction by Definition. In 1995 the band signed to Hollywood Records, a subsidiary of The Walt Disney Company.

This lineup reduced the bandвЂ™s name to The Suicide Machines and recorded the Skank for Brains split album with The Rudiments. The lineup of Navarro, Lukacinsky, Nunley, and Grant would last for the next four years.

Brake left the group in 1994 and was briefly replaced by Dave Smith until Royce Nunley joined as the new permanent bass player. They also released the вЂњVans SongвЂќ 7вЂі single on Youth Rendition Records. They recorded the bandвЂ™s first demos The Essential Kevorkian and Green World in 19, both released through their own label SluggoвЂ™s Old Skool Records. This lineup lasted a year until Bill Jennings replaced Rairigh, but he was himself soon replaced by Derek Grant. The bandвЂ™s original lineup consisted of Jason Navarro on vocals, Dan Lukacinsky on guitar, Jason Brake on bass, and Stefan Rairigh on drums. The Suicide Machines were a band formed in 1991 in Detroit, Michigan under the original name Jack Kevorkian and the Suicide Machines.

Teen suicide band autograph